“A Greater Compass of Voice”: Elizabeth Taylor Greenfield and Mary Ann Shadd Cary Navigate Black Performance. Theatre Research in Canada/Recherches théâtrales au Canada (TRIC/RTAC) 41.1, June 2020. pp. 20-38.

Shuffle and Repeat: The Making of Shuffle Along”. American Quarterly 69.1, March 2017. pp. 177-186.

“I am Not a Race Man: Racial Uplift and the Post-Soul Aesthetic in Percival Everett’s I am Not Sidney Poitier”. Understanding Blackness through Performance : Contemporary Arts and the Representation of Identity. Ed. Anne Cremieux, Xavier Lemoine, Jean-Paul Rocchi. (Palgrave McMillan, 2013)

“Where Are the Black Angels?” PAJ: A Journal of Performance and Art 123, September 2019. pp. 82-86.

Uncle Tom’s Cabins: The Transnational History of American’s Most Mutable Book review.” American Literary History Online Review Series XIX. June 2019.

Familiar review.” Theater Journal 71.1, March 2019. pp. 118-119.

Black Performance on the Outskirts of the Left review. American Drama and Theatre (JADT) 30.2, May 2018.

“Black Political Breathwork.” PAJ: A Journal of Performance and Art 119, May 2018. pp. 94-97.

The Sonic Color Line: Race and the Cultural Practice of Listening review.” Textual Practice 32:2, November 2017. pp. 354-358.

Notes from the Field review.” Theater Journal 69.3, September 2017. pp. 425-427.

Edited Collections
“What We Are A Part Of”; Teaching At CUNY From 1968-1974: Adrienne Rich. Ed. Ammiel Alcalay, erica kaufman et al. (The Lost and Found Project, 2014)

Black Writers and the Left (Cambridge Scholars Press, 2013)