Edited Volumes
2026 Art, Sound, and Knowledge. Volume Two of the Encyclopedia of Sound. Ed. Kristin Moriah and Holger Schulze. Bloomsbury Academic.
2025 Insensible of Boundaries: Studies in Mary Ann Shadd Cary. University of Pennsylvania Press.
Edited Special Journal Issues
2025 J19: Journal of Nineteenth-Century Americanists: F.E.W. Harper Special Issue. Ed. Kristin Moriah and Rafael Walker
Journal Articles
2021 “On the Record: Sissieretta Jones and Black Feminist Recording Praxes.” Sound Acts special issue of Performance Matters 6.2. February 2021.
2020 “A Greater Compass of Voice: Black Feminist Performance and National Identity in Nineteenth-Century North America.” Race and Performance in the US-Canada Borderlands special issue of Theatre Research in Canada 41.1, June 2020. pp. 20-38.
Editorially Reviewed Essays in Peer Reviewed Journals
2024 “We Need to Speak About Home: Frances E.W. Harper and Domestic Concerns.” Legacy: A Journal American Women Writers, Fall 2024.
2024 “Strategies for Liberation: A Conversation with Katherine McKittrick.” Women’s Studies Quarterly (WSQ), September 2024 (Invited Interview).
2023 “Playing That Crystal Flute: Black Interventions in the Sonic Archives.” American Quarterly, June 2023.(Invited)
2023 “That Men Might Listen Earnestly to It: Hearing Blackness,” English Studies in Canada/ESC 46.2–3.(June/September 2023): 33–37. (Invited)
2022 “What Will We Do with All That Data?” American Periodicals. (Invited Forum Introduction)
2020 “A Rude Sound: Notes on Suck Teeth Composition,” Sound and Performance special issue of Canadian Theatre Review 184. October 2020. (Invited)
Book Chapters
2025 ““Who Am I Now?”: Towards a Mary Ann Shadd Cary Renaissance.” Mary Ann Shadd Cary in the Here and Now. Ed. Kristin Moriah. University of Pennsylvania Press. (In Press).
2024 “Another Link to Life”: Black Feminist Geography and the Digital Humanities in Incidents in the Life of a Slave Girl.” Teaching Harriet Jacobs’ Incidents in the Life of a Slave Girl. Ed. Lynn Domina. Modern Language Association. (In Press)
2023 “From Ballad Opera to Minstrelsy: Interrogating Social Class, Race, Gender, and Nation on the Musical Stage,” in The Routledge Companion to Musical Theatre. Ed. Ryan Donovan and Laura MacDonald. (Invited)
2022 “Sounding Black Print Culture at the Edges of the Black Atlantic.” New Directions in Print Culture Studies: Archives, Materiality, and Modern American Culture. Ed. Jesse W. Schwartz and Daniel Worden. Bloomsbury. (Invited)
Art, Book and Performance Reviews
2023 Practice as Ritual/Ritual as Practice review, C Magazine, Spring 2023. Issue 154.
2022 Infamous Bodies and Fearing the Black Body review, Early American Literature. (Invited extended review). 57.3. pp. 982-992.
2019 “‘Where Are the Black Angels?’: Mickalene Thomas’s Femmes Noires at the AGO” PAJ: A Journal of Performance and Art 123. September 2019.
2019 “Uncle Tom’s Cabins: The Transnational History of America’s Most Mutable Book review.” The ALH Online Review Series XIX, June 2019.
2019 “Familiar review.” Theater Journal 71, March 2019. pp. 118-119.
2018 “Black Political Breathwork.” PAJ: A Journal of Performance and Art 119, pp. 94-97.
2018 “Black Performance on the Outskirts of the Left review.” The Journal of American Theatre and Drama (JADT) 30.2, Spring 2018. pp. 1-3.
2017 “The Sonic Color Line: Race and the Cultural Practice of Listening review.” Textual Practice 32:2. pp. 354-358.
2017 “Notes from the Field review.” Theater Journal 69.3, September 2017. pp. 425-427.
2017 “Shuffle and Repeat: A Review of George C. Wolfe’s Shuffle Along.” American Quarterly 69.1, March 2017. pp. 177-186.
Web-Based Publications
2021 “Calypso Queen.” Dear Science and Other Stories book review forum. Society and Space. September.
2020 “How Anti-Black Racism on Canadian University Campuses Robs Us All,” The Conversation: Canada. 2 July.
2018 “‘I Dreamed and Loved and Wandered and Sang”: Sounding Blackness in W.E.B. Du Bois’s Dark Princess.” Sounding Out! Sound Studies Blog. 20 August.
